Gene Moy (梅忠毅) is a user experience architect in Chicago with 12 years experience working on the web. He sometimes thinks every day feels like 1995 all over again. More about Gene »
Was watching NOVA tonight, and saw a sculpture called Kryptos, which contains coded messages about light and darkness, and the wonder of discovery, embedded within it. An awe inspiring piece. (As a complete aside, there was also a marvelous piece about the discoverer of gravitational lensing and how he’s giving back to his community.)
Then followed Wide Angle as it tracked the attempts of the Norwegian architectural firm Snøhetta in competition with Rem Koolhaas’ OMA as they struggled to design the Ras al-Khaimah convention center. (You can see OMA’s entry here.) It was, frankly, painful to watch for anyone who has designed for clients. First, armed with little more than a vision (well, they also had a model and some renderings), their work is shot down summarily by the stakeholder, not only because the scope of the idea is prohibitive, but also because the deal with Koolhaas’ firm had likely been closed or near closing. Then, their first idea is deemed not ambitious enough to match the scope of the stakeholder’s own vision, along with a host of other issues, some financial, many having to do with presentation. It will all seem too, too familiar to those of us who do other kinds of design for a living. You may be left thinking, we do work like this and are more conscientious about the contexts, but perhaps that is due to editing.
You can watch this episode, “the Sand Castle”, online.
Permanent link to Design notes, on PBS
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26 Apr 2008 1833HInventing Matilda writes:
Creativity is the best part about being a designer but it can also be the hardest when working to build a figment of someone else’s imagination on paper. In my case, I am designing paper and not a building, so it is a different case for my design house…I enjoy design and people have the opportunity to browse my wares. Unfortunately, for the Snøhetta Team, their project is so incredibly immense that one cannot simply craft 300 designs from which to let the client select. I think the bottom line here is lack of communication between parties as to the expectations and realities of a large scale architectural endeavor.
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