Gene Moy (梅忠毅) is a user experience architect from Chicago with 14 years experience working on the web and now, medical devices. Occasionally he thinks every day feels like 1995 all over again. More about Gene »
Or was it? I’ve been saying this in various places, but, I think we saw a game changer of an event today. Technologically nothing has changed. But because it addresses emerging markets and unmet user needs, the iPad will change computing as we know it, really make it part of our contemporary everyday experience, almost [...]
Read the rest of Another year, another Apple event
With apologies to the author, although it’s a brilliant test exercise in coding functionality, this is a perfect example of excise. It seems stuck in beginner mode: if you don’t know the names of months, how many there are, days in a week, hours in a day, minutes in an hour, so on, or what [...]
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Is it possible to talk about Chinese design when all Chinese designers have been taught about ways of looking, thinking, and form giving by Westerners? That the very value of design comes to Chinese design because of its engagement in the global late capitalist market flows of goods and services? A priori, I draw on [...]
Read the rest of Recent thoughts on Chinese design
Given the tremendous quantities of crap not just in products but in experiences that have been rendered unto the public by designers, and the industry’s collective failure to own up to its responsibility for that, design thinking or no, I think it would be not only premature but overly optimistic at best to turn the [...]
Read the rest of On design thinking and public policy
‘‘Too often contemporary Chinese art is rooted in Western traditions,’’ he says. ‘‘Even my education was Western.’’ (Shao’s parents, acclaimed painters, began giving him painting lessons when he was 3.) ‘‘True contemporary Chinese art must evolve from Chinese traditions,’’ he says. ‘‘It must have a Chinese soul.’’
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Today we have absolutely no means available to realistically imagine the extent of the brutality of the cultural revolution called the Meiji restoration (1867), which managed to transform completely the purely Japanese “Edo Culture” into a Westernized one. However, people in those days probably expended a stupendous amount of energy on information gathering and study [...]
Read the rest of Notes on “Designing Design,” by Kenya Hara
Congrats to Matias Duarte, Wes Yun, and the team who worked on making the Palm Pre’s debut such a success. (If you haven’t seen the launch keynote, check it out.) Backtrack a little over 13, 14 months to a conversation I had with Wes and Matias about working for a project that they could not [...]
Read the rest of In praise of the Pre
They use a technique called genius design for high profile products at Apple. At Apple, that means it has attracted the attention of Steve Jobs, who pushes the design to the level of his satisfaction, which can also be a bad thing. Now with this year’s keynote disappearing, not to disparage Ives and all the [...]
Read the rest of Why Steve Jobs is so important
(by Robert Brunner and Stewart Emery with Russ Hall: FT Press, 2008.) Examples are too heavy on the Apple fanboy love, when so many others are available, and there is this sense, despite the hard orange cover with its glossy Helvetica type in a trendy slim, vertical format, that this book is actually a rough [...]
Read the rest of Do you matter: how great design will make people love your company
Great talk by Daniel Cook about interaction design and games:
Video: Microsoft Office Labs & Engineering Excellence IxDA Event Part I Daniel Cook
Read the rest of From Seattle IxDA
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